Halloween Theory Connects Michael Myers to Jordan Peele’s Us


The Tethered in Jordan Peele’s Us has a lot in common with Michael Myers, and one fan theory claims it wasn’t by accident.

The best horror directors are often fans themselves, and Jordan Peele’s literacy in the genre was evident long before he took the genre by storm in 2017. Get out. Key and Peele, his sketch show with Keegan-Michael Key, often used horror traps as part of his gags – sending everything from zombie horror movies to Dusk-style vampires. It’s no surprise, then, that his later directing efforts include so much of the great horror films that came before them, even though they went in their own direction. However, a permanent fan theory established a stronger connection between one of his films and a classic of the genre, Halloween.

John Carpenter’s 1978 masterpiece has influenced the genre for generations, and nuances of it can be seen in Peele’s 2019 directing work. We. But the the theory goes further than that, suggesting that the two films actually share the same universe and that Michael Myers is a “Tethered”.

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Michael Myers is hiding in a closet on Halloween

According to We, the Tethered are exact clones of existing humans, created by the government for the purpose of controlling the population. The experiment was abandoned and the Tethered were left underground, only to emerge during the events of the film and murder their originals. The film’s heroine, Adelaide, met her bond as a girl at an amusement park, an encounter that has a big bearing on Tethered’s decision to emerge.

Peele bore his affection for Halloween on his sleeve during the film, especially with the towering, silenced attached appearing in front of their mirrors in menacing silence before launching sudden, brutal attacks. Their resemblance to Myers at such times is more than fleeting, as is the idea that he moves silently in a seemingly normal, unconscious world. However, Peele also makes deeper cuts. For example, Adelaide’s doppelganger is called “Red” and the facility that holds her and the other Tethered contains a visually striking wall of rabbits in cages (presumably part of the long-abandoned experiment). As the theory points out, the combination corresponds to a key detail in Halloween – a matchbook from a salon called The Rabbit in Red – which seems too close to be a coincidence.

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The theory also makes this connection more than symbolic. In simpler terms, Myers’ behavior matches that of the Tethered very closely. In the original’s now-legendary opening scene, a young Myers dons a clown mask and murders his sister with a carving knife. The attack comes out of nowhere and the movie suggests he was a perfectly normal boy until then. Subsequently, he returned to the asylum silent and the rest for 15 years before bursting just as brutally and launching the rampage that constitutes the essence of the film.

The mythology of the franchise got complicated when it tried to explain the reasons for it all – at least until 2018 Halloween, which removed the heavy backstory and returned to the Carpenter movie conundrum. He points out that Myers just decided to get up and kill on a Halloween night, and he could do it again anytime. That can change with any revelations Halloween kills has in reserve, but now it matches Tethered too closely to ignore theory. The schedule also matches, suggesting that a “Tethered” Michael may have switched places with his normal cohort sometime before Adelaide’s meeting with Red in the funhouse.

Of course, there’s no way to prove the theory, but the fact that the two films fit together so closely is testament to the care with which both were made. Carpenter was a master tech, fabricating scares with the kind of elegance Hitchcock might have admired. Peele has paid great attention to this technique in his own films, and although they tell their own story, in the case of We, the symmetry is a little too perfect to go unnoticed.

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